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Albrecht Durer
Portrat eines jungen Mannes vor grunem Hintergrund
1506(1506)
Oil on panel
50 ?? 40 cm
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Albrecht Durer
Apostel Philippus
Date 1516(1516)
Dimensions 46 ?? 38 cm (18.1 ?? 15 in)
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Albrecht Durer
Apostel Jakobus
1516(1516)
Oil on canvas
46 ?? 38 cm
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Albrecht Durer
Eva
1507(1507)
Medium Oil on panel
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Albrecht Durer
Dreikonigsaltar
Deutsch: um 1504
English: c. 1504
Medium Oil on panel
Dimensions Deutsch: 96 ?? 54 cm
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Albrecht Durer
Portrait of an Unidentified Man
1524
50 ?? 36 cm
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Albrecht Durer
Portrat des Jacob Muffel
Date 1526(1526)
Medium Oil on panel
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Albrecht Durer
Salvator Mundi
c. 1504
Oil on panel
57 ?? 47 cm
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Albrecht Durer
Maria mit Kind
1526(1526)
Oil on panel
43 ?? 32 cm
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Albrecht Durer
Selbstmord der Lukretia
Date 1518(1518)
Medium Oil on linden
Dimensions 168 ?? 74,8 cm
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Albrecht Durer
Portrat der Barbara Durer, geb. Holper
c. 1490-1493
47 ?? 38 cm (18.5 ?? 15 in)
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Albrecht Durer
Portrat des Hans Tucher
Date 1499
Medium Oil on panel
Dimensions Deutsch: 28 ?? 24 cm
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Albrecht Durer
Portrat eines bartigen Mannes mit roter Kappe
1520
Oil on canvas
40 ?? 30 cm
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Albrecht Durer
Beweinung Christi
Deutsch: um 1498
English: c. 1498
Medium Oil on panel
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Albrecht Durer
Maria mit Kind
Date 1512
Medium Oil on panel
Dimensions 49 ?? 37 cm
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Albrecht Durer
Portrat eines jungen Mannes vor grunem Hintergrund
Date 1506(1506)
Medium Oil on panel
Dimensions Deutsch: 50 ?? 40 cm
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Albrecht Durer
Portrat des Hieronymus Holzschuher
1526(1526)
Oil on panel
48 ?? 36 cm
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Albrecht Durer
Portrat der Felicitas Tucher
1499(1499)
Oil on panel
28 ?? 24 cm
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Albrecht Durer
Portrat der Elsbeth Tucher
29 ?? 23,3 cm
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Albrecht Durer
Apostel Jakobus
1516(1516)
Medium Oil on canvas
Dimensions Deutsch: 46 ?? 38 cm
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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